{"id":57507,"date":"2021-12-12T17:33:28","date_gmt":"2021-12-12T17:33:28","guid":{"rendered":"https:\/\/www.vanleer.org.il\/videos\/%d7%a4%d7%a0%d7%99%d7%9d-%d7%9e%d7%91%d7%98-%d7%95%d7%a9%d7%a4%d7%94-%d7%94%d7%a6%d7%95%d7%a8%d7%94-%d7%94%d7%90%d7%aa%d7%99%d7%aa-%d7%91%d7%a7%d7%95%d7%9c%d7%a0%d7%95%d7%a2-%d7%a9%d7%9c-%d7%a2\/"},"modified":"2022-09-04T09:16:57","modified_gmt":"2022-09-04T06:16:57","slug":"%d7%a4%d7%a0%d7%99%d7%9d-%d7%9e%d7%91%d7%98-%d7%95%d7%a9%d7%a4%d7%94-%d7%94%d7%a6%d7%95%d7%a8%d7%94-%d7%94%d7%90%d7%aa%d7%99%d7%aa-%d7%91%d7%a7%d7%95%d7%9c%d7%a0%d7%95%d7%a2-%d7%a9%d7%9c-%d7%a2","status":"publish","type":"video","link":"https:\/\/www.vanleer.org.il\/en\/videos\/%d7%a4%d7%a0%d7%99%d7%9d-%d7%9e%d7%91%d7%98-%d7%95%d7%a9%d7%a4%d7%94-%d7%94%d7%a6%d7%95%d7%a8%d7%94-%d7%94%d7%90%d7%aa%d7%99%d7%aa-%d7%91%d7%a7%d7%95%d7%9c%d7%a0%d7%95%d7%a2-%d7%a9%d7%9c-%d7%a2\/","title":{"rendered":"Face, gaze, language: the ethical form in Amos Gitai's cinema"},"content":{"rendered":"<p class=\"color-black mb-2\" dir=\"ltr\" style=\"text-align: left;\"><strong>Face, gaze, language: the ethical form in Amos Gitai's cinema,\u00a012.12.21<\/strong><\/p>\n<p dir=\"ltr\"><strong><a href=\"https:\/\/www.vanleer.org.il\/en\/events-cat\/transition-crossing-border\/\">Transition, Crossing, Border: A series of talks with film director Amos Gitai<\/a><\/strong>\u00a0<\/p>\n<p dir=\"ltr\">First conversation between <strong>Amos Gitai<\/strong> and <strong>Prof. Hagi Kenaan<\/strong>\u00a0<\/p>\n<p dir=\"ltr\">Introduction:<strong>\u00a0Amos Gitai<\/strong><\/p>\n<p dir=\"ltr\">Screening of the film The Book of Amos (2012, 13 minutes)<\/p>\n<p dir=\"ltr\">A sequence shot filmed on a Tel Aviv street. Israeli and Palestinian actors play the prophet Amos and give a modern voice to his ancient admonitions against corruption and social wrongs.<\/p>\n<p dir=\"ltr\">Amos Gitai frequently engages questions of form, not only thematics and narrative. He examines how a potentially subversive point of view can be presented by changing cinematic conventions - for instance, changing the pace of viewing by using sequence shots that include a system of internal contradictions. Gitai also challenges cinematic vision by using the transposition of different tools. These assumptions will be at the center of this meeting.<\/p>\n<p dir=\"ltr\"><strong>About the series:<\/strong><\/p>\n<p dir=\"ltr\">In the Middle East, more than anywhere else, the work of the filmmaker resembles that of the archaeologist. It involves the cautious exposure of layers of life; examination of memories and stories from the past in an attempt to be relevant and to touch upon contemporary human issues. This raises the question: what happens to the cinematic aesthetic when it clashes with the principle of illustration? Does it then become\/present a form of cinematic ethics? This question, along with the question of cinema in a constantly changing geopolitical context, will be discussed in the present series. The series is based on Gitai\u2019s films and segments of them will be shown during the encounters.<\/p>\n<h4 class=\"pt-2 pb-3\" dir=\"ltr\">Participants<\/h4>\n<p style=\"text-align: left;\"><strong>Prof. Hagi Kenaan <\/strong>- Tel Aviv University<\/p>\n<p style=\"text-align: left;\"><strong>Amos Gitai <\/strong>-\u00a0An architect by training, graduate of the Technion and PhD from Berkeley University<\/p>\n<div class=\"ccb_single_video_player \" data-controls=\"1\" data-autohide=\"0\" data-fs=\"1\" data-theme=\"dark\" data-color=\"red\" data-iv_load_policy=\"1\" data-modestbranding=\"1\" data-rel=\"1\" data-showinfo=\"0\" data-autoplay=\"0\" data-disablekb=\"0\" data-nocookie=\"0\" data-aspect_ratio=\"16x9\" data-width=\"640\" data-video_position=\"below-content\" data-volume=\"100\" data-video_id=\"zxkdXmS9avM\" style=\"width:640px; height:360px; max-width:100%;\"><!-- player container --><\/div>\n\n<span itemprop=\"video\" itemscope itemtype=\"http:\/\/schema.org\/VideoObject\">\n\t<meta itemprop=\"name\" content=\"Face, gaze, language: the ethical form in Amos Gitai&#039;s cinema\">\n\t<meta itemprop=\"description\" content=\"Face, gaze, language: the ethical form in Amos Gitai&#039;s cinema,\u00a012.12.21 Transition, Crossing, Border: A series of talks with film director Amos Gitai \u00a0 First conversation between Amos Gitai and Prof. Hagi Kenaan \u00a0 Introduction: \u00a0Amos Gitai Screening of the film The Book of Amos (2012, 13 mi\">\n\t<meta itemprop=\"thumbnailURL\" content=\"https:\/\/www.vanleer.org.il\/wp-content\/uploads\/2021\/12\/posttypevideop57502-youtube-thumbnail-150x150.jpg\">\n\t<meta itemprop=\"embedURL\" content=\"http:\/\/www.youtube-nocookie.com\/v\/zxkdXmS9avM\">\n\t<meta itemprop=\"uploadDate\" content=\"2021-12-12T17:33:28+00:00\">\n\t<meta itemprop=\"duration\" content=\"PT1H20M25S\">\n<\/span>\n","protected":false},"excerpt":{"rendered":"<p>Face, gaze, language: the ethical form in Amos Gitai&#8217;s cinema,\u00a012.12.21 Transition, Crossing, Border: A series of talks with film director Amos Gitai\u00a0 First conversation between Amos Gitai and Prof. Hagi Kenaan\u00a0 Introduction:\u00a0Amos Gitai Screening of the film The Book of Amos (2012, 13 minutes) A sequence shot filmed on a Tel Aviv street. Israeli and&#8230;<\/p>\n","protected":false},"author":13,"featured_media":57505,"comment_status":"open","ping_status":"open","template":"","format":"video","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"videos":[],"video_tag":[],"class_list":["post-57507","video","type-video","status-publish","format-video","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Face, gaze, language: the ethical form in Amos Gitai&#039;s cinema - The Vanleer Institute in Jerusalem<\/title>\n<meta name=\"description\" content=\"Face, gaze, language: the ethical form in Amos Gitai&#039;s cinema | Filmed lectures at the Van Leer Jerusalem Institute on topics that include religion, secularization and Judaism, Arab society and the Middle East, philosophy, culture and art, feminism and gender, and science and technology\" \/>\n<meta name=\"robots\" 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