Theory and Criticism 
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ืืืืฃ ืืฆืืื: ืืืืืืื ืืืจื ืืืืกืื ืืืืืืืจืืืืื ืืงืืื ืืข ืืืฉืจืืื
Issue 18 | Spring 2001 - Cinema
ืืืื ืช ืืืืืื ืืืืืืจืืืช: ืขื ื ืืืืืช ืืกืจื ืจืฉืืืช ืฉืื ืืืจ
Issue 18 | Spring 2001 - Cinema
ืืืืืืช ืืืืืจืื ืืคืืกืืื ื: ืืืช ืืืืืช, ืืืืช ืืืืขืืืืช ืืงืืื ืืข ืืคืืกืืื ื ืืืืฉ
Issue 18 | Spring 2001 - Cinema
ืืืืืืช ืืืืืืืช: ืืืืืืช ืืืืฃ
Issue 18 | Spring 2001 - Cinema
ืืื ืคืจืืื: ืืืื ืืืืืืื
Issue 18 | Spring 2001 - Cinema
ืืงืื ืืืจ: ืืจืื ืืืจื ืื ืฉื ืืงืืื ืืข ืฉื ืืืฉื ื'ืืืืคื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืจืื ืืงื ืฉื ืงืืื ืืข ืคืืกืืื ื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืขืงืืืช ืืืคื ืืขืืจืื ืฉื ืืจ ืืืื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืืืื ืืกืื ื ืืืฆืจืช ืฉื ืชืจืืืช ืืคืืืืืืงื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืืืืช ืืกืืจืืช ืืงืืื ืืข ืืืฉืจืืื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืืจืื ืฉืจืืืื ืืฉื: ืืขืจืืช ืขื ืืืืืื ืืืืช ืืงืืื ืืข ืืืฉืจืืื ืืืคืืกืืื ื
Issue 18 | Spring 2001 - Cinema
ืืกื - ืืืืื ืฉืืขืืจ: ืืืืืืืืืจืคืืืช ื ืฉืืืช ืืงืืื ืืข ืืืฉืจืืื
Issue 18 | Spring 2001 - Cinema
ืจืึพืฉืื - ืืชื ืืืกืืง ืืืืช ืืงืืื ืืข: ืคึผึธืื ื ืฉื ืืืฉืจืืืืืช ืืกืจืืื ืืืคืืจ ืืืืืจ ืืืืืืืช
Issue 18 | Spring 2001 - Cinema
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